Back in 2007, I’d been playing the guitar for about five years. I’d taken lessons with my first teacher and progressed from beginner to intermediate quickly just by learning my favourite songs. My first teacher introduced me to players like Hendrix, Clapton and Gilmour, and I started playing solos, but then I hit a massive wall.

I desperately wanted to sound like my newfound heroes — Yngwie Malmsteen, Joe Satriani, Steve Vai — but I had no idea what they were actually doing. I couldn’t make sense of the fretboard, and every time I tried to solo like them, it felt like guesswork. I was stuck in the same position, playing the same shapes, without really understanding how it all fit together. This lead me to the point of quitting for a whole year, aged 17.

I missed playing so much that I decided to pick it back up again, and that’s when I started taking lessons with my second teacher — and everything changed.

I learned the CAGED system, three-notes-per-string, how to build chords and arpeggios, and the techniques required to actually execute those ideas on the guitar. I started to connect the dots, and eventually earned a place at the Guitar Institute in London, where I immersed myself in scales, arpeggios, triads, theory concepts, and everything I could get my hands on.

But here’s the thing...

After graduating, I realised I was still struggling.
I had all this information… but I was in another serious rut. Sound familiar?

Worse still, I started teaching students in my local area — showing them the same overwhelming pile of scales and techniques I’d learned — and guess what? They weren’t making real progress either.

That’s when I had a huge realisation: information isn’t transformation.

I knew things had to change.
I needed to unpack the scales, get to grips with the theory, and most importantly, apply everything in a way that made real music — not just more practice routines.

So I got seriously organised.

I created the Scale Pyramid Methodology to make sense of the overwhelming scale systems and learned how to actually play through chord changes in a musical way. I built real fretboard fluency, refined my technique, and developed the vocabulary that would eventually define my own style.

As I started seeing results, I began documenting everything — building step-by-step PDFs, Guitar Pro files, and MP3s — so I could pass on these breakthroughs to my students.
And it worked.
They started getting results faster than ever, without the years of trial and error I’d gone through.

What you’ll find inside the Complete Mastery System is everything I wish I’d had during those frustrating years — a clear, structured, and musical approach to building real skill on the guitar.

No fluff. No filler.
Just the tools that actually move the needle in your playing.